Exploring the 'RE:VIEW' Exhibition at Gyeonggi Museum of Modern Art
- Original source
- blog.naver.com
[Reporter: Lee Woonjeong]
The Gyeonggi Museum of Modern Art is beautifully situated amidst trees and a lake in Ansan's Hwarang Park. With the arrival of cool breezes, it's the perfect season for leisurely outdoor walks. I recently visited the museum to explore the outdoor sculptures and listen to a docent's explanation while viewing the collection exhibition titled 'RE:VIEW.' Let's take a closer look at the sculptures on display.
'RE:VIEW' is an exhibition that showcases works featured in the outdoor sculpture exhibition 'Stop and Stand Still' alongside pieces from the National Museum of Modern and Contemporary Art's collection. Running from September 1 to November 29, 2026, it features seven sculptures by three artists: Yang Tae-geun, Bae Hyung-kyung, and Choi Jung-hwa, both indoors and outdoors.
This exhibition allows viewers to compare works by the same artist in different settings. Outdoors, the sculptures blend harmoniously with trees, sky, water, and light. Indoors, visitors can closely examine the forms and materials of the artworks. It's an opportunity to contemplate how the perception of art changes depending on the location.
In the outdoor sculpture park, I began with Yang Tae-geun's two pieces, followed by works from Bae Hyung-kyung and Choi Jung-hwa. I had often glanced at these sculptures during my walks but took a closer look this time with the guidance of the docent.
The first piece, Yang Tae-geun's 'Festival,' is nestled among the trees. From a distance, it resembles a duck or a chicken, but upon closer inspection, it reveals a chicken form made from metal washers welded together. The round metal rings create the body, allowing light to shine through, while a flower pot at the tail adds a unique touch. It's a clever representation of a living creature crafted from industrial parts.
Next to 'Festival' is 'Waiting,' another work by Yang. Although it uses the same washers, its form is quite different, with the head seemingly omitted. This ambiguity invites a range of interpretations, making it an intriguing piece.
Yang's works often reflect the relationship between nature, ecology, and humanity. When viewing his sculptures, it’s best to step back to appreciate the overall shape before moving in for a closer look, as the arrangement of washers reveals different aspects.
As I walked along the forest path, I encountered Bae Hyung-kyung's 'Humans are Born, Live, and Die 1.' This 170 cm tall bronze sculpture is life-sized, depicting a figure with a simple face and large hands, bowing its head. Standing alone among the trees, it evokes the image of a person deep in thought. The lack of a distinct expression draws attention to the posture and hand shapes, prompting various reflections.
The final outdoor piece I encountered was Choi Jung-hwa's 'Flower Arrangement,' located by the water at the museum's entrance. This vibrant sculpture features large flowers and fruit decorations. Although I had seen it before, the docent's explanation helped me appreciate how it harmonizes with the surrounding scenery. The sparkling decorations in the sunlight, the rippling water, and the trees and sky all come together beautifully. I found myself curious about how the landscape might change with the seasons and would love to return in winter.
After exploring the outdoor sculptures, I entered the museum to revisit the works of the three artists. It was fascinating to compare the same artist's pieces in different environments.
In the MD shop, I encountered Yang Tae-geun's 'Whisper,' a piece reminiscent of a duck, part of the National Museum of Modern and Contemporary Art's collection. This sculpture, made of small metal rings, forms a rounded body. While 'Festival' and 'Waiting' are striking from a distance, 'Whisper' offers a closer examination of how the washers connect, demonstrating how size and placement can alter perception.
I then moved to the window gallery, where Choi Jung-hwa's 'Flower Tree' is displayed. Unlike the outdoor 'Flower Arrangement,' this piece allows for a closer inspection of its colorful forms and various shapes. Comparing the two, it’s evident how the setting influences the viewer's experience.
Bae Hyung-kyung's 'Man 2007' was also on display. At 75 cm tall, this bronze figure is smaller than the outdoor sculptures. Unlike the bowed head of the outdoor piece, this sculpture holds its head high, with a relatively clear facial outline. Encountering a life-sized sculpture in the woods feels like meeting a real person, prompting a pause. The smaller size of this piece encourages a more detailed examination of its form and features.
After the exhibition, I took a leisurely stroll along the lakeside at Hwarang Park. Reflecting on the docent's insights, I noticed details I had previously overlooked. Viewing art is not just about finding definitive answers but also about following one's emotions in response to the pieces. As autumn deepens, consider visiting the Gyeonggi Museum of Modern Art's 'RE:VIEW' exhibition to experience these sculptures anew.
The Gyeonggi Museum of Modern Art 'RE:VIEW'
• Location: 268 Dongsan-ro, Danwon-gu, Ansan-si, Gyeonggi-do
• Exhibition Period: September 1 - November 29, 2026
• Opening Hours: Tuesday to Sunday, 10:00 AM - 6:00 PM (last admission at 5:00 PM)
• Closed: Every Monday, January 1, and on the day of Seollal and Chuseok.
• Admission: Free
Source :https://blog.naver.com/gyeonggi_gov/224440737704
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