Park Seo-jin and the Four Kings Competition: A Battle of Pride Fueled by Trot Fans

Original source: blog.naver.com

Writer WassupSend Email Search by name

Send Email Search by name

Comments 0 Views 243 Date 2025-11-10 12:30

List
- Edit
- Delete

Open Original Link

The stars of the trot world have gathered once again.

Under the title ‘Park Seo-jin and the Four Kings Competition,’ the interest of fandoms nationwide is heating up.

This stage is not just a popularity contest.

It holds great significance as a ‘participatory K-wave project’ directly shaped by the fingertips of fans.

Trot stars who have toiled on their respective stages are now facing off with the energy of their fans.

[1] Park Seo-jin Recaptures the Top Spot in the Four Kings Competition, Aiming for the Summit Again

As of 9 AM on October 28th, singer Park Seo-jin reclaimed the top position in the first preliminary round of the ‘Trot Four Kings’ on the fandom platform Stardom, recording a total of 43,391 points.

Shin Seung-tae had been leading the race until the previous day, but the rankings were reversed in just one day.

Park Seo-jin left a deep impression on MBN’s ‘Hyun役ga王2,’ and the solidarity of his trot fans is also strong.

The news of his first place was received by fans not just as a voting result, but as a ‘moving response.’

The competition is now signaling the start of a real battle.

[2] Shin Seung-tae's Chase in the Four Kings Competition: A Battle of Pride

Shin Seung-tae is closely trailing Park Seo-jin, recording 41,544 points.

With a close contest of just a few hundred points difference, fans are at the peak of tension.

Shin Seung-tae also showcased the charm of traditional trot on ‘Hyun役ga王2.’

His heartfelt songs and connection with fans provide a strong foundation that cannot be easily shaken.

These two main figures in the competition are continuing a fierce competition for the title of ‘Pride of Trot’ until the end.

[3] The Presence of Choi Soo-ho, Kim Jun-soo, and Kim Yong-bin in 3rd to 5th Place

Choi Soo-ho followed in 3rd place with 7,759 points, Kim Jun-soo in 4th with 3,644 points, and Kim Yong-bin in 5th with 2,757 points.

In particular, Kim Yong-bin is gaining new attention for his emotional performances on the ‘Korea-Japan Singing King’ stage.

They are each showcasing the diversity of the trot genre with their different musical styles.

The competition is being interpreted as a symbol of a ‘trot generational shift,’ not just a popularity contest.

[4] A Stage Created by Fans, Expanding to a Global Scale

This project is being conducted as a global fan participation event commemorating the 25th anniversary of Newsis.

The stars selected as the Four Kings will have digital advertisements broadcast on electronic billboards in major city centers around the world, including New York Times Square, Tokyo, Bangkok, and Seoul.

Additionally, the one ‘King of Kings’ will receive an award directly on the stage at the ‘2026 K-Expo.’

This shows that trot is now establishing itself as a K-wave content heading beyond Korea to the world.

The competition can be said to be a new form of awards ceremony symbolizing the ‘era of fandom.’

[5] Voting Method and Schedule

Voting will be conducted through the Stardom app until December 15th, and both free and paid voting are possible.

You can participate by using 10 Silver Stars (free) or 4 Gold Stars (paid) per vote.

The preliminary round will close at 2 PM on the 30th, and the top 16 will advance to the second round.

A system with intermissions (aggregation verification periods) after each round is also in place to increase the fairness of the voting.

The competition is being completed on the three axes of ‘fairness, participation, and fandom.’

[6] A ‘Participatory Awards Brand’ Where Fans Become the Main Characters

The concept of this ‘Trot Four Kings’ was inspired by the ‘Four Kings’ culture that swept through the Hong Kong pop music scene in the 1990s.

However, this project goes beyond a simple homage, proving once again that trot is a national genre that transcends generations.

Trot has now evolved into emotional content that encompasses even Generation Z, not just the preserve of middle-aged and older adults.

In the flow of fans directly creating ‘national singers,’ a new era of trot is opening.

The competition carries the message: **"Stars Created by Fans, Stages Raised by Fans."**

???? Summary: Key Points

More from K-pop