Yangju Cultural Outing: Jang Wook-jin's Unpublished Ink Paintings Exhibition
경기도 양주시 장흥면 권율로 193
양주시립 장욱진미술관

A rare opportunity to witness a hidden side of Jang Wook-jin (1917-1990), a titan of modern Korean art, has arrived at the Yangju City Jang Wook-jin Art Museum (양주시립 장욱진미술관). The special exhibition, titled 'Dripping and Remaining: Jang Wook-jin's Ink Paintings,' showcases over 40 previously unpublished ink works that reveal the artist's deep spiritual connection to Eastern aesthetics.
While Jang Wook-jin is widely celebrated for his warm and bright oil paintings, this exhibition explores his relatively uncharted ink works across themes of folk art, Buddhism, and daily life. Running through April 5 of next year, this show provides profound insights into the artist’s worldview, characterized by conciseness and a newfound sense of brushwork freedom in his later years.
Exploring the Deep World of Jang Wook-jin's Ink Paintings
Jang Wook-jin is an artist who transcended the boundaries between Western and Eastern art styles. Although he is best known for the magpies, trees, and family scenes in his 730 oil paintings, he also produced around 300 ink works that have remained largely in the shadows until now. This exhibition brings these delicate and meaningful pieces to the forefront.
The works are categorized into three main themes: folk paintings, Buddhism, and daily life. Visitors can observe landscapes of thatched cottages, folding screens made for his family, and animal representations inspired by Korean folk traditions. Each piece, despite the simple medium of black ink, carries an infinite depth and a unique sense of humor characteristic of Jang's style.
Buddhist Symbolism and Concise Brushwork
Since the 1970s, Jang Wook-jin displayed a profound interest in Buddhism. His ink paintings from this period include serene images of Buddha and temples, reinterpreted through his minimalist lens. These works offer a significant clue to understanding the artist's later philosophical shift toward spiritual simplicity.Late Masterpieces and the Beauty of Conciseness
The exhibition also highlights his final works from the 1980s until his passing in 1990. During his time in Yangju's Mabu-dong, his brushwork became even more swift and concise. These late ink paintings evoke a sense of total freedom, where the distinction between drawing and writing blurred into a single, liberated expression.
To truly appreciate the significance of these unpublished works, I highly recommend joining the docent tour. The museum offers expert explanations every Wednesday, Saturday, and Sunday at 11:30 AM and 2 PM. This one-hour program provides rich context that transforms how you perceive the simple lines and dots of Jang’s ink art.
The 'Side by Side Project' and Visiting Tips
In addition to the ink painting exhibition, the museum is currently hosting the 'Side by Side Project.' Visiting both exhibitions allows for a comprehensive look at the museum's curation and contemporary artistic dialogues. The museum is open Tuesday through Sunday, from 10 AM to 6 PM, making it a perfect weekend getaway.A Cultural Winter Retreat in Yangju
The Yangju City Jang Wook-jin Art Museum is not just about the art; its architecture and the surrounding landscape in Jangheung are equally beautiful. If you are looking to discover a new facet of the artist famous for his "magpie and tree" motifs, a visit this winter or early spring is highly recommended.
Take a slow walk through the gallery, immerse yourself in the concise beauty of ink, and find peace in the minimalist worldview of a Korean modern master.
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