Exploring Jeju's Tranquil December: The Jeju Chusa Museum

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A Museum Rooted in Exile and Reflection

Jeju Chusa Museum commemorates the years Kim Jeong-hee spent in exile on Jeju Island, a period marked by hardship and deep intellectual reflection.

Set against Jeju’s calm winter landscape, the museum becomes a place where visitors naturally lower their pace and connect with both history and space.

Architecture Inspired by a Traditional Painting

The building was designed by architect Seung Hyo-sang, one of Korea’s most respected contemporary architects.

Its exterior resembles the modest house depicted in the national treasure painting Sehando, giving the impression that the structure has stepped directly out of the artwork.

Named Baekpa, meaning White Hill, the building emphasizes simplicity through rectangular wooden walls, a sloped roof, and restrained materials.

At first glance, it may appear rough and utilitarian, but closer observation reveals a refined balance between wood and exposed concrete.

Minimalism Against the December Sky

The absence of decorative elements allows the structure itself to become a visual subject.

Under Jeju’s clear December sky, the minimalist form creates a striking contrast, turning the museum into a quiet yet sensuous photographic backdrop.

The Circular Window Framing Pine Trees

Inside the underground exhibition hall, a large circular window opens outward, forming the museum’s most iconic photo zone.

From the dim interior, the view of two pine trees framed perfectly within the round window resembles a living ink wash painting.

The window functions as a natural frame, allowing visitors to capture dreamlike images that feel as if they have stepped into the world of Sehando.

The strong contrast between light and shadow makes this spot ideal for emotional silhouette photography.

A Spiral Staircase Leading Underground

The descent from the ground level to the underground exhibition hall is guided by a spiral staircase with a distinctive structural rhythm.

This winding path symbolically reflects the lonely and difficult journey Kim Jeong-hee endured during his exile.

Viewed from above or below, the staircase’s geometric curves and depth offer striking visual compositions.

The intersection of cold concrete textures and soft curves creates a compelling setting for architectural photography.

The Thorny Fence and Restored Exile House

Behind the museum stands the restored thatched house where Kim Jeong-hee once lived during his exile.

Surrounding the house is a sharp thorny fence, symbolizing the punishment of confinement known as Wiri-an-chi.

In December, the bare thorn bushes heighten the sense of solitude and stillness, offering a quiet glimpse into the isolation Chusa experienced.

Walking between low stone walls and traditional thatched roofs, visitors can capture serene winter memories rooted in Jeju’s history.